The body jewellery is made with the aid of wax-dyed cotton fabric cut into strips, processed using various different techniques and then brought into shape. Both material and form refer to traditional African handicrafts; the aesthetics, however, are also reminiscent of 18th century anatomical studies. At the same time, the body jewellery items play with the same kind of subtle erotica that is typical of sexy underwear in West Africa – in that it enhances, while concealing the body. What is key for understanding the work, however, is the role of wax, the cloth that also gives the work its name. Crucial for West Africa’s aesthetic industry, this fabric stands here for Africa’s lacking sovereignty. It is a product of colonial expansion that has never been manufactured in Africa and today, it is linked with Africa only at the level of consumption and processing. The creative and constructive re-interpretation of the cloth in Waxology – its cutting and re-joining – liberates it from its colonial context, thus symbolizing nothing less than the re-invention of an African aesthetic identity.